Archives Outside

For people who love, use and manage archives

Archives Outside - For people who love, use and manage archives

Old Gardens of New England [Photographic Exhibition]

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This photographic exhibition has been developed by the Garden History Society Northern New South Wales Sub Branch at Armidale.  The photographs vary from the grandest to the most unusual and come from collections held by the National Trust, University of New England Archives, Historical Societies and individuals.

Why are these garden photographs important? What stories do they tell?

Photographs are an essential source of historical evidence but they also provide aesthetic enjoyment.  They support the written historical word and assist in our interpretation of history.  It is when they are grouped together that we can start seeing the similar patterns emerging.  It is for this reason we organised the photographs into themes such as: design features, work, recreation, settler’s gardens, town gardens, school gardens, public parks, tertiary education grapes and vineyards and homesteads.  We also decided to develop a booklet so that the visitor could take it away and look at the various photographs at later times.

P0589 Tingha Sam Becketts Hut

A sense of belonging

The arrival of the female in New England and the subsequent establishment of the garden introduced the principle of permanency, a sense of belonging and a sense of place.  In the exhibition you will see a photograph of a simple miner’s timber hut without any garden apart from timber for heating and cooking.  This compares with the miner’s hut at Hillgrove, east of Armidale where Mrs McWatter and her husband stand on the front verandah with pot plants in the background.  Another factor at work in Hillgrove is the fact that Mr Tonkin, the school principal for twenty years and his wife conducted a nursery.  He made many trips to Sydney to obtain trees for the town which included pines.

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The photographs demonstrate a diversity of values.  One of the most critical factors in early garden design was the establishment of an English type garden in an Australian setting.  These gardens featured exotic trees not only from the British Isles but also the American continent and the Asian region.  There was little place for the Australian native tree or shrub in gardens designed to create a memories of the English or Scottish landscape.

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Pastoral gardens

Early pastoral employment records of properties held at the University of New England Archives refer to workers including gardeners, particularly Germans for vineyards  and Chinese for vegetable gardens.  At different times of the year, other workers were employed to maintain the garden.  Consequently we see a number of fine gardens at the various New England Homesteads.  Bearing in mind the garden not only provided a place of beauty but also supplied fresh vegetables and fruit to the station kitchen.

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One of the most fascinating examples of change in values is the way that hospitals were once surrounded by magnificent gardens.  In the past, health administrators saw the importance of the garden as part of the healing process and this is evident in the photograph of the Glen Innes Hospital.  Sadly modern urban hospitals are surrounded by large car parks with little therapeutic value there.

The exhibition

In the exhibition you will see love heart gardens, horses and cattle moved into positions for the photo, the grand Tertiary Education gardens at Armidale and the bush school gardens created as a result of Arbor Days.  Many memories will be stirred by the exhibition and all are welcome to attend. Promotional photos include a small selection of the total exhibition. These include regional properties such as Saumarez, Palmerston and Gostwyck as well as urban gardens from public and private settings.

Event: Historic Gardens of New England Photographic Exhibition & talks.

Date 

Tuesday 2nd July 6.30pm – Opening night.

Curators Bill Oates & Graham Wilson will speak at 6.30pm

Cost:$10 includes light refreshments – please book for catering purposes but pay at the door

Where

Australian Institute of Architects in Tusculum, 3 Manning Street, Potts Point

Duration of exhibition

The exhibition runs for the month of July

 

Archival storage as Art

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Last year we were visited by photographer Angela Welyczko who was photographing archival storage areas in the Sydney region.  Her work is now on display at the Robin Gibson Gallery as part of the New Talent exhibition.

Storage Space: Inside the Archive explores collecting and storing at a public and institutional level. The work encompasses both the archive and the stored collection, showing the differences and revealing the complexities, idiosyncrasies and reasons for being. Within this investigation, the study of the archive becomes a device for a broader study of the human condition, specifically, our fear of mortality, our human bias, and our fear of loss.
View the exhibition online

Dates
The New Talent exhibition runs from 1-26 June

Open
Tuesday to Saturday 11am to 6pm

Address
278 Liverpool Street Darlinghurst
Sydney NSW 2010 Australia

World War II Trench Art & Workplace Signs…. yes, really

Last year we featured records created during World War II by the NSW State Government on our website. They have included examples of the NSW government reaction to the bombing of Darwin, NSW Preparations for war  as well as NSW under attack, we hope that you have enjoyed seeing these.

We would like to post something completely different to highlight the fourth and last part of our War and Australia: World War II digital display. This part of the display features the work of manufacturing and transporting defence supplies within NSW, especially by the NSW Government Railways.

Trench Art

Firstly a contribution from a staff member. When my colleague, also called Jenny, first heard back in February 2012 that we were mounting a display about the war in Darwin, she brought in these salt and pepper shakers to show us. They were made from American .50 BMG cartridges by her grandfather, William Howard, whilst he was stationed at Darwin. He enlisted in the Australian Army on 12 October 1941 and was discharged on 1 September 1945.

The .50 caliber cartridges were manufactured by Remington Arms in 1942, as shown on their headstamps, and were of the type used in the Browning M2 machine gun. They are 14cm long in total. The length of the casing (10cm) provides plenty of space for salt or pepper. Thanks to Andrew, another staff member and Army Reservist, for helping us identify them. More information about this type of ammunition can be found at this site . We thought the salt and pepper shakers were extraordinary and deserved to be seen. And here they are!

They are an example of trench art. See the Australian War Memorial’s website for other examples of trench art using bullets including a Trench art cross and a Bullet Casing cigarette lighter.

 Workplace Signs

Secondly, a collection of signs found in the background of images of the Aircraft Production Factory at the NSW Government Railways Chullora Workshops. We have used one of these images in the latest part of the display. But the others were just too interesting to ignore! These signs vividly convey what was at stake. Did they work as a daily reminder or did they just become part of the scenery, like safety signage in our modern workplaces?

 

 ‘You can’t spell Victory with an absent “T”‘ detail from NRS 17420 item 603/27 showing staff during the visit of the Duke and Duchess of Gloucester to the Chullora Workshops 9 March 1945.

‘Near enough is not near enough. Be exact!’ detail from NRS 17420 item 603/57 Aircraft factory, Chullora, c.1943.

‘A concealed mistake is a crime! It may cost a brave man his life’ detail from NRS 17420 item 603/58 Aircraft factory, Chullora, c.1943.

Care to share?

Do you have examples of trench art or reminiscences that you would like to share? Or maybe a link to a favourite example on the web. Let us know in the comments.

Jenny Sloggett is an Archivist working in the Archives Control and Management section of State Records NSW.

A Degotardi album?

Album cover

The name Degotardi is well known to those with an interest in photography. John Degotardi senior (1823-1882) photographed Sydney in the 1860s and 1870s, after arriving in Sydney in 1853. His interest in photography grew out of his occupation as a printer and engraver. His son John Degotardi Junior (1860-1937) worked at the NSW Government Printing Office and was photographer with the NSW Department of Public Works from 6 January 1897 to 1919.

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Employment card for John Degotardi jr

Among the material held at State Records is NRS 15344 “Photographs of Sydney taken between 1860 and 1880” from the Navigation Department. This album includes photos of Sydney Harbour and environs, major buildings in Sydney, provincial centres and rural New South Wales. The album has a note inside the cover saying: ‘This album was purchased from J. Degotardi, Department of Public Works, in 1913 – price £20’.

Panorama of Darling Harbour from Balmain - No.3

An image from the album

So are these works by his father John Degotardi senior? After all the Department of Public Works photographic section begins in 1883 and these photographs are clearly 1860s and 1870s. Also as a public servant John Degotardi junior would not have had the right to sell Public Works’ photographs in 1913. We know there are some keen Degotardi fans out there and we welcome your input!

Browse the album on Photo Investigator

Community Heritage Grants 2013

Our Boys at the Front

Community Heritage Grant Applications are open for 2013.

The Community Heritage Grants (CHG) program provides grants of up to $15,000 to community organisations such as libraries, archives, museums, genealogical and historical societies, multicultural and Indigenous groups. The grants are provided to assist with the preservation of locally owned, but nationally significant collections of materials that are publicly accessible including artefacts, letters, diaries, maps, photographs, and audio visual material.

Since 1994, $4.5 million has been awarded to community organisations throughout Australia.

The types of projects supported include Significance Assessments of collections; Preservation Needs Assessments of collections; conservation activities and collection management; and training workshops.

CHG is funded by the Australian Government through the National Library of Australia; the Department of Regional Australia, Local Government, Arts and Sport; the National Archives of Australia; the National Film and Sound Archive and the National Museum of Australia.

The Closing date for Applications is 1 May 2013

Talking “Sentenced beyond the Seas” – Radio interview with Carol Duncan & Janette Pelosi

State Records, like other archives, is keen to promote its collection to the public. One way it does this is through talks to groups from local and family history societies and libraries. One such talk was given at Newcastle Region Library for Seniors Week on Wednesday 20 March 2013 by Janette Pelosi, Senior Archivist, Context and Documentation. Janette is project coordinator for Sentenced beyond the Seas: Australia’s early convict records and her talk featured many stories from these recently digitised convict records.

As part of the promotion for the talk the Library arranged for Janette to be interviewed by Carol Duncan (@carolduncan) (Afternoons) on 1233 ABC Newcastle Radio  (@1233Newcastle) on Tuesday 19 March 2013. A big thanks to 1233 ABC Newcastle for allowing State Records to provide the interview online.

Radio Interview

Carol Duncan & Janette Pelosi at 1233 ABC Radio Newcastle

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Note: Sentenced beyond the Seas – the story so far

Sentenced beyond the Seas has been promoted through an exhibition of the First Fleet Indents at Parliament House . Articles on this convict digitisation project have appeared in Descent, Inside History Magazine and on the Australian Geographic  web site. There have been talks to the Botany Bay Family History Society (14 February), the Society of Australian Genealogists (16 February), Newcastle Region Library (20 March) and Windsor Library (10 April) as well as media such as the Sydney Morning Herald ‘Stay in Touch’ and ‘Column 8’ as well as local papers such as the Lithgow Mercury. State Records press releases resulted in radio interviews on ABC Riverina, 630 ABC News Radio Sydney, ABC South East and ABC Newcastle. The project has even received  a favourable mention in NSW Parliament (Hansard: State_Records_Legislative_Council_20130312 .)